Showing posts with label Deleuze. Show all posts
Showing posts with label Deleuze. Show all posts

Sunday, July 01, 2007

get Deleuzed! DeLanda on a Roll! part 4/of 5

Manuel DeLanda is the closest we have to a second generation Gregory Bateson, Marshall McLuhan, bucky fuller, etc. The rare fantastic Public Speaker...but
super rational, very psychedelic.

what? 4/5 talk parts
Transcendental Reservoir of Essences? Not! No way Jose!


see other 4 parts on Youtube....

Saturday, June 16, 2007

DeLanda Videos from 2006 ESA

DeLanda Videos from 2006 ESA

what?

Collection assembled by Mr. Goodreads for your viewing ease.

About:Manuel DeLanda lecturing about the philosophy of Gilles Deleuze, logic, meaning, and the understanding of geometry anLinkd mathematics in an open lecture at European Graduate School EGS, Media Studies department. Saas-Fee, Switzerland 2006. Manuel de Landa.

http://www.goodreads.ca/manueldelanda/

cc

rest of vids on toutube

http://www.youtube.com/watch?v=52IAUvfXHaQ



European Graduate School this Summer classes

http://egs.edu/main/aboutegs.html



Saturday, December 30, 2006

If they Lied about Now, why not about the Past origins. Sa'damm's enablers

The Man, The Myth At War





The history of struggle between war and its representation has changed the way war is fought and the way we tell the stories of war. Information management, once called censorship and propaganda, has developed in tandem with new media technologies. An excerpt from A Century of Media, A Century of War by Fordham U. professor Robin Andersen.

File Under: Media, Bush, Commentary, Politics

The following is an exclusive excerpt from A Century of Media, A Century of War, by Fordham University Professor and Mediachannel.org supporter Robin Andersen.

Bush-era Stagecraft

One of the most stunning, real-time dramas ever staged to illustrate the glories of the victorious warrior was performed by President George W. Bush. The visual sequences featured a triumphant president dressed in a military flight suit in the cockpit of a fighter jet making a dramatic, made-for-television landing onto the deck of the aircraft carrier the U.S.S. Lincoln. A well-printed banner hung from the ship’s upper deck proclaiming “Mission Accomplished.” Explaining the million-dollar pseudo-event, the administration said the jet fighter was necessary because the carrier was too far out to sea to be reached by helicopter. In fact, the ship was so close that it had to be turned around to prevent television cameras from catching the San Diego coastline in the background.

Audio interview >
http://www.fair.org/index.php?page=3027






See FAIR's Archives for more on:
Iraq
War and Militarism
Official Agendas
http://www.fair.org/index.php?page=3027


Table of Contents
Part 4
Terrorism, Censorship, and Patriotism: Re-Scripting Victory Culture
Chapter 15: From Tragedy to War after 9/11
Chapter 16: Black Hawk Down: The New Logics of War and Representation
Chapter 17: The Iraq ¿Reality¿ War: Embeds and Militainment
Chapter 18: The Military-Entertainment Complex: Permanent War
and the Digital Spectacular
Chapter 19: Of Smart Weapons, Civilian Casualties and the Crimes of War:
The Whole World (except the United States) Is Watching
Chapter 20: The ¿Entertainer-in Chief¿ and the Downing Street Memos
Chapter 21: The Unraveling: The Ghost of Vietnam and the Soldiers ¿Over There¿
Conclusion
from Library of USA Congress
more
ISBN: 0820478938 (pbk. : alk. paper)

0820478946 (hardcover : alk. paper)
Contents: From victory to defeat -- The Great War and the fight between good and evil : the birth of war propaganda -- The good fight : from the first draft to the grand narrative -- The Korean War : remembering the forgotten -- Vietnam : shattered illusions -- Eyes wide shut : the not-so-secret wars of Central America and the Caribbean -- Visions of instability : telling stories on television news -- The problem of seeing and believing : empathy, denial and war’s human costs -- The office of public diplomacy : creating fear and favor -- Invading Grenada : Entebbe-style rescue, or the first preemptive strike? -- Oliver North : the war hero and the scandal -- Dover Air Force Base, press pools and the Panama invasion -- The first Persian Gulf war : the battle over access, video game imagery and smart bombs -- Trading the first amendment to defeat the "Vietnam syndrome" -- Consuming the Persian Gulf War : from baby incubators to patriot missiles -- CNN : 24 hours of war -- How the war was remembered : from Courage under fire to Saving Private Ryan -- Terrorism, censorship and patriotism : re-scripting victory culture -- From tragedy to war after 9/11 -- Black Hawk down : the new logics of war and representation -- The Iraq "reality" war : embeds and militainment -- The military-entertainment complex : permanent war and the digital spectacular -- Of smart weapons, civilian casualties and the crimes of war : the whole world (except the United States) is watching -- The "entertainer-in chief" and the Downing Street memos -- The unraveling : the ghost of Vietnam and the soldiers "over there."
Notes: Includes bibliographical references (p. [319]-346) and index.
Subjects: Propaganda, American--History--20th century.

Propaganda, American--History--21st century.




War, Humanism and Democracy


Wednesday, December 20, 2006

DeLanda! new book out > New Philosophy of Society: Assemblage Theory And Social Complexity






Manuel DeLanda, name change to delanda?!
DeLanda is a Second Generation non-French theorist of Deleuze. See also Claire Colebrook.
An Amazon Reader:
The Best Introduction to Deleuze, March 11, 2002
Reviewer: A reader
This is an extraodinary book: an astonishingly lucid and well-organized introduction to Deleuze's philosophical project. Most of the secondary literature on Deleuze is simply unhelpful, because it presumes that the reader already grasps Deleuze's tremendously difficult ontological project and terminology. Colebrook begins at the begining, taking the time to explain and define key terms (the virtual, singularity, intensity, affect, becoming, immanence, etc.) and offers rich illustrations of these concepts via literature and film.
http://www.amazon.com/Gilles-Deleuze-Routledge-Critical-Thinkers/dp/0415246342



Friday, November 03, 2006

Gilles Deleuze conf. today at UCBerkeley, thanks! UC French Dept.!





For Deleuze, the confrontation with chaos deploys the mediums of intelligence, the affect, the percept, function, and the concept. Three autonomous names for the multiple—art, science, philosophy. The ground of their contact and mutual exposure is the simulacrum of ideas, but no idea can appear in a Deleuzian ontology without a material operator by which it is actualized as a variation on the plane of material consistency. A Deleuzian theory of media would ask, “what kind of variation at the level of events is afforded by our material culture?” We must then determine what kind of event is a medium. In keeping with Deleuze’s ontology of immanence we do not align media practice with representation or simulation, only with more or less adequate models of repetition at the level of signals, in short, a propagation of syntax or structural invariants that co-ordinate a space where an event can occur. We must immediately reverse this schema which is necessary for representation but disingenuous to events, which are not predicated on this cultivation of space but erupt continuously as a disarticulating force, the multiple or variable index of forces and relations. A medium is a place of inscription, a possibility of life. The event is not merely a possibility but the actualization of a virtual, which is real but un-mediated. A Deleuzian theory of media must then meet two theoretical and political imperatives: it must enable itself as a structure of registration through which the event can begin to resonate along divergent series (aesthetic, practical, conceptual, technical etc.); it must also propose a kind of historiography of the event which is genealogical, a line of continuous variation that describes the methods of articulating the disorienting violence of the event as it resonates in the heterogenous series.







http://gavinwit.googlepages.com/deleuzeconference


November 3, 2006: UCB Deleuze Conference
This Conference is co-sponsored by the Townsend Center, Dean of Arts and Humanities, French Department, Department of Comparative Literature, Department of Anthropology, Rhetoric Department, English Department, Philosophy Department, and Graduate Theological Union. For a conference schedule and description, please click on the link below.

Click here for a full description and a conference schedule

This event will take place at 9:00AM in Howard Room in the Faculty Club.